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Imagine yourself in 13th-century England. King Edward I has just named the fictitious Kevin le Strange to be the Lord of Aberwyvern--"a rich but rebellious area of Northwest Wales." Lord Kevin's first task is to oversee the construction of a strategically placed castle and town in order to assure that England can "dominate the Welsh once and for all." And a story is born! In the Caldecott Honor Book Castle, David Macaulay--author, illustrator, former architect and teacher--sets his sights on the creation and destiny of Lord Kevin's magnificent castle perched on a bluff overlooking the sea. Brick by brick, tool by tool, worker by worker, we witness the methodical construction of a castle through exquisitely detailed pen-and-ink illustrations. Children who love to know how things work especially appreciate Macaulay's passion for process and engineering. Moats, arrow loops, plumbing, dungeons, and weaponry are all explained in satisfying detail. This talented author also has a keen sense of irony and tragedy, which is played out in the intricacies of the human story: a castle can be built as a fortress, but ultimately it becomes obsolete when humans discover that cooperation works best. (Ages 9 and older) --Gail Hudson

Beautiful and imposing, cathedrals were designed as monuments to the greater glory of God. They are important not only for spiritual reasons, but for their often splendid architecture. A medievalist leads an extraordinary photographic tour through the most magnificent examples, from Notre Dame in Paris to the Cathedral of the Holy Family in Nairobi, Kenya. Through engaging commentary, the history and evolution of these buildings unfold, beginning in the early Christian era and Emperor Constantine's conversion to Christianity in the 4th century, up through the Reformation, and right into the 20th century. Among the most spectacular: in the ruins of St. Andrews in Fife, Scotland; Manila Cathedral in the Philippines, rebuilt five times; and St. Patrick's in New York City.

Text and black and white illustrations show how the Romans planned and constructed their cities for the people who lived within them.

The great Gothic cathedrals of Europe are among the most astonishing achievements of Western culture. Evoking feelings of awe and humility, they make us want to understand what inspired the people who had the audacity to build them. This engrossing book surveys an era that has fired the historical imagination for centuries. In it Robert A. Scott explores why medieval people built Gothic cathedrals, how they built them, what conception of the divine lay behind their creation, and how religious and secular leaders used cathedrals for social and political purposes. As a traveler's companion or a rich source of knowledge for the armchair enthusiast, The Gothic Enterprise helps us understand how ordinary people managed such tremendous feats of physical and creative energy at a time when technology was rudimentary, famine and disease were rampant, the climate was often harsh, and communal life was unstable and incessantly violent.

While most books about Gothic cathedrals focus on a particular building or on the cathedrals of a specific region, The Gothic Enterprise considers the idea of the cathedral as a humanly created space. Scott discusses why an impoverished people would commit so many social and personal resources to building something so physically stupendous and what this says about their ideas of the sacred, especially the vital role they ascribed to the divine as a protector against the dangers of everyday life.

Scott's narrative offers a wealth of fascinating details concerning daily life during medieval times. The author describes the difficulties master-builders faced in scheduling construction that wouldn't be completed during their own lifetimes, how they managed without adequate numeric systems or paper on which to make detailed drawings, and how climate, natural disasters, wars, variations in the hours of daylight throughout the year, and the celebration of holy days affected the pace and timing of work. Scott also explains such things as the role of relics, the quarrying and transporting of stone, and the incessant conflict cathedral-building projects caused within their communities. Finally, by drawing comparisons between Gothic cathedrals and other monumental building projects, such as Stonehenge, Scott expands our understanding of the human impulses that shape our landscape.

A wondrous portfolio that has to be seen to be savored-or even believed for that matter. Here are the plans for the Tower of Pisa-on a skewed drafting table, the Eiffel Tower tipped over across from the Seine, the ruins of a McDonald's stand following some future Vesuvius, the disastrous meeting of the Great and Lesser Walls of China, and many other gems.

(Adventures in Art and Architecture)
Even though Neuschwanstein Castle was only built in the 19th century, it looks like a story-book image of a medieval palace. It was the model for Walt Disney's fantasy castle and was used in the famous children's film "Chitty Chitty Bang Bang".

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When children catch their first glimpse of a pyramid, a sea of questions inevitably tumbles forth. "Why are they shaped like that?" "How were they made?" "Who made them?" "What were they used for?" Perplexed adults can sigh with relief now that David Macaulay has found a way to thoroughly answer all those deserving questions. His exquisitely crosshatched pen-and-ink illustrations frame the engaging fictional story of an ancient pharaoh who commissions a pyramid to be built for him. With great patience and respect for minute detail (not unlike the creators of the early pyramids), Macaulay explains the sometimes backbreaking tasks of planning, hauling, chiseling, digging, and hoisting that went into the construction of this awe-inspiring monument. Just when the narrative teeters on the edge of textbook doldrums, Macaulay brings us back to the engaging human drama of death and superstition. This respectful blending of architecture, history, and mysticism will certainly satiate pyramid-passionate children as well as their obliging parents. ALA Notable Book. (Ages 9 and older) --Gail Hudson

This book explores the story of architecture from prehistoric pile dwellings to the Millennium Dome. It shows how the buildings of each historical period and culture are an expression of the spirit of their time, and how styles of architecture result from the materials that are available and the techniques that are understood. Representative buildings of each period are studied in fine, detailed illustrations: for example, Stonehenge, the Parthenon, the Colosseum, Chartres Cathedral, the Rialto Bridge, Versailles, the University of Virginia, the Crystal Palace, the Flatiron Building, the Sydney Opera House, and the converted Gare d'Orsay. The pyramids of Giza, Hindu temples in Khajuraho, the Badshahi mosque in Lahore, the Aztec city of Tenochtitlan, a Japanese imperial villa, and the Chinese emperor's Forbidden City are the focus of chapters on the architecture of other cultures.

Available used.